C

• Cabezas Gelabert, Lino, El dibujo como invención: idear, construir, dibujar, Ediciones Cátedra, Madrid, 2008, 400 pp.
  Cabezas Gelabert, Lino, El dibujo como invención: idear, construir, dibujar, Ediciones Cátedra, Madrid, 2008, 400 pp.
  Cabezas Gelabert, Lino, El dibujo como invención: idear, construir, dibujar, Ediciones Cátedra, Madrid, 2008, 400 pp.
• Cahn, Steven M. – Meskin, Aaron (a cura di), Aesthetics, a comprehensive anthology, Blackwell, Oxford, 2008.
  Cahn, Steven M. – Meskin, Aaron (a cura di), Aesthetics, a comprehensive anthology, Blackwell, Oxford, 2008.
  Cahn, Steven M. – Meskin, Aaron (a cura di), Aesthetics, a comprehensive anthology, Blackwell, Oxford, 2008.
• Calabrese, Armando, Trame della parola-suono. Laboratorio della funzione estetica, Bonanno, Acireale-Roma, 2008, 120 pp.
  Calabrese, Armando, Trame della parola-suono. Laboratorio della funzione estetica, Bonanno, Acireale-Roma, 2008, 120 pp.
  Calabrese, Armando, Trame della parola-suono. Laboratorio della funzione estetica, Bonanno, Acireale-Roma, 2008, 120 pp.
• Caliandro, Christian, La trasformazione delle immagini. L’inizio del postmoderno tra arte, cinema e teoria, 1977-1983, Mondadori Electa, Milano, 2008, 169 pp.
  Caliandro, Christian, La trasformazione delle immagini. L’inizio del postmoderno tra arte, cinema e teoria, 1977-1983, Mondadori Electa, Milano, 2008, 169 pp.
  Caliandro, Christian, La trasformazione delle immagini. L’inizio del postmoderno tra arte, cinema e teoria, 1977-1983, Mondadori Electa, Milano, 2008, 169 pp.
• Calle, Román de la, Saborit, José, Carrere, Alberto, El arte necesita de la palabra, Institución Alfonso el Magnánimo, Valencia, 2008, 180 pp.
  Calle, Román de la, Saborit, José, Carrere, Alberto, El arte necesita de la palabra, Institución Alfonso el Magnánimo, Valencia, 2008, 180 pp.
  Calle, Román de la, Saborit, José, Carrere, Alberto, El arte necesita de la palabra, Institución Alfonso el Magnánimo, Valencia, 2008, 180 pp.
• Calvo-Merino, Beatriz et. al., Towards a sensorimotor aesthetics of performing art, “Consciousness and Cognition”, XVII/3 (2008), pp. 911-922.
  Calvo-Merino, Beatriz et. al., Towards a sensorimotor aesthetics of performing art, “Consciousness and Cognition”, XVII/3 (2008), pp. 911-922.
  Calvo-Merino, Beatriz et. al., Towards a sensorimotor aesthetics of performing art, “Consciousness and Cognition”, XVII/3 (2008), pp. 911-922.
• Camargo, Carlos Avelino de Arruda, Do lugar de onde se vê: aproximações entre o teatro e as artes plásticas, São Paulo, Ed. UNESP; Rio de Janeiro, FUNARTE, 2008, 98 pp.
  Camargo, Carlos Avelino de Arruda, Do lugar de onde se vê: aproximações entre o teatro e as artes plásticas, São Paulo, Ed. UNESP; Rio de Janeiro, FUNARTE, 2008, 98 pp.
  Camargo, Carlos Avelino de Arruda, Do lugar de onde se vê: aproximações entre o teatro e as artes plásticas, São Paulo, Ed. UNESP; Rio de Janeiro, FUNARTE, 2008, 98 pp.
• Cameron, Ross P., There are No Things That are Musical Works, “British Journal of Aesthetics”, XLVIII (2008), pp. 295-314.
  Cameron, Ross P., There are No Things That are Musical Works, “British Journal of Aesthetics”, XLVIII (2008), pp. 295-314.
  Cameron, Ross P., There are No Things That are Musical Works, “British Journal of Aesthetics”, XLVIII (2008), pp. 295-314.
• Cananzi, Daniele M., Prolegomeni di un’estetica del diritto, Nuova Cultura, Roma, 2008, 214 pp.
  Cananzi, Daniele M., Prolegomeni di un’estetica del diritto, Nuova Cultura, Roma, 2008, 214 pp.
  Cananzi, Daniele M., Prolegomeni di un’estetica del diritto, Nuova Cultura, Roma, 2008, 214 pp.
• Caneva, Claudia, Bellezza e persona. L’esperienza estetica come epifania dell’umano in Luigi Pareyson, Armando, Roma, 2008, 128 pp.
  Caneva, Claudia, Bellezza e persona. L’esperienza estetica come epifania dell’umano in Luigi Pareyson, Armando, Roma, 2008, 128 pp.
  Caneva, Claudia, Bellezza e persona. L’esperienza estetica come epifania dell’umano in Luigi Pareyson, Armando, Roma, 2008, 128 pp.
• Cannon, Joseph, The Intentionality of Judgments of Taste in Kant's “Critique of Judgment”, “Journal of Aesthetics and Art Criticism”, Wint 2008, 66 (1), pp. 53-65.
  Cannon, Joseph, The Intentionality of Judgments of Taste in Kant's “Critique of Judgment”, “Journal of Aesthetics and Art Criticism”, Wint 2008, 66 (1), pp. 53-65.
  Cannon, Joseph, The Intentionality of Judgments of Taste in Kant's “Critique of Judgment”, “Journal of Aesthetics and Art Criticism”, Wint 2008, 66 (1), pp. 53-65.
• Cantone, Damiano, Un accordo nel disaccordo. Proposta per un confronto tra le estetiche di Deleuze e Lyotard, “aut aut” (Milano), n. 338 (2008), pp.137-44.
  Cantone, Damiano, Un accordo nel disaccordo. Proposta per un confronto tra le estetiche di Deleuze e Lyotard, “aut aut” (Milano), n. 338 (2008), pp.137-44.
  Cantone, Damiano, Un accordo nel disaccordo. Proposta per un confronto tra le estetiche di Deleuze e Lyotard, “aut aut” (Milano), n. 338 (2008), pp.137-44.
• Caoci, Alberto (a cura di), Antropologia, estetica e arte. Antologia di scritti, Franco Angeli, Milano, 2008, 208 pp.
  Caoci, Alberto (a cura di), Antropologia, estetica e arte. Antologia di scritti, Franco Angeli, Milano, 2008, 208 pp.
  Caoci, Alberto (a cura di), Antropologia, estetica e arte. Antologia di scritti, Franco Angeli, Milano, 2008, 208 pp.
• Cappelini, Patrizia, I “rettangoli viventi” di Barnett Newman: una riflessione estetica su emozione e cognizione dell’arte astratta, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n. 1 (2008), rivista online: [http://www.seminariodestetica.it/ www.seminariodestetica.it].
  Cappelini, Patrizia, I “rettangoli viventi” di Barnett Newman: una riflessione estetica su emozione e cognizione dell’arte astratta, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n. 1 (2008), rivista online: [http://www.seminariodestetica.it/ www.seminariodestetica.it].
  Cappelini, Patrizia, I “rettangoli viventi” di Barnett Newman: una riflessione estetica su emozione e cognizione dell’arte astratta, “Aisthesis. Pratiche, linguaggi e saperi dell’estetico” (Firenze), n. 1 (2008), rivista online: [http://www.seminariodestetica.it/ www.seminariodestetica.it].
• Carbone, Mauro, Pistorius, l’estetica e il rovesciamento del platonismo. Pensare con Merleau-Ponty (l’)oggi, “Chiasmi International” (Milano-Parigi-Memphis), n. 10 (2008), pp. 35-44.
  Carbone, Mauro, Pistorius, l’estetica e il rovesciamento del platonismo. Pensare con Merleau-Ponty (l’)oggi, “Chiasmi International” (Milano-Parigi-Memphis), n. 10 (2008), pp. 35-44.
  Carbone, Mauro, Pistorius, l’estetica e il rovesciamento del platonismo. Pensare con Merleau-Ponty (l’)oggi, “Chiasmi International” (Milano-Parigi-Memphis), n. 10 (2008), pp. 35-44.
• Carbone, Mauro, Proust et les idées sensibles, Vrin, Paris, 2008, 202 pp.
  Carbone, Mauro, Proust et les idées sensibles, Vrin, Paris, 2008, 202 pp.
  Carbone, Mauro, Proust et les idées sensibles, Vrin, Paris, 2008, 202 pp.
• Carbone, Mauro, Sullo schermo dell’estetica. La pittura, il cinema e la filosofia da fare, Mimesis, Milano, 2008, 131 pp.
  Carbone, Mauro, Sullo schermo dell’estetica. La pittura, il cinema e la filosofia da fare, Mimesis, Milano, 2008, 131 pp.
  Carbone, Mauro, Sullo schermo dell’estetica. La pittura, il cinema e la filosofia da fare, Mimesis, Milano, 2008, 131 pp.
• Carlson Allen, Lintott Sheila (a cura di), Nature, aesthetics, and environmentalism: from beauty to duty, Columbia University Press, New York, 2008.
  Carlson Allen, Lintott Sheila (a cura di), Nature, aesthetics, and environmentalism: from beauty to duty, Columbia University Press, New York, 2008.
  Carlson Allen, Lintott Sheila (a cura di), Nature, aesthetics, and environmentalism: from beauty to duty, Columbia University Press, New York, 2008.
• Carr, David, Music, Spirituality, and Education, “Journal of Aesthetic Education”, Spr 2008, 42 (1), pp. 16-29.
  Carr, David, Music, Spirituality, and Education, “Journal of Aesthetic Education”, Spr 2008, 42 (1), pp. 16-29.
  Carr, David, Music, Spirituality, and Education, “Journal of Aesthetic Education”, Spr 2008, 42 (1), pp. 16-29.
• Carroll, Jerome, The Limits of the Sublime, the Sublime of Limits: Hermeneutics As a Critique of the Postmodern Sublime, “Journal of Aesthetics and Art Criticism”, Spr 2008, 66 (2), pp. 171-81.
  Carroll, Jerome, The Limits of the Sublime, the Sublime of Limits: Hermeneutics As a Critique of the Postmodern Sublime, “Journal of Aesthetics and Art Criticism”, Spr 2008, 66 (2), pp. 171-81.
  Carroll, Jerome, The Limits of the Sublime, the Sublime of Limits: Hermeneutics As a Critique of the Postmodern Sublime, “Journal of Aesthetics and Art Criticism”, Spr 2008, 66 (2), pp. 171-81.
• Carroll, Noël, Moore, Margaret, Feeling Movement: Music and Dance, “Revue International de Philosophie”, (Bruxelles), 4, décembre 2008, pp. 413-35.
  Carroll, Noël, Moore, Margaret, Feeling Movement: Music and Dance, “Revue International de Philosophie”, (Bruxelles), 4, décembre 2008, pp. 413-35.
  Carroll, Noël, Moore, Margaret, Feeling Movement: Music and Dance, “Revue International de Philosophie”, (Bruxelles), 4, décembre 2008, pp. 413-35.
• Carroll, Noël, On the Aesthetic Function of Art, “Philosophical Quarterly”, O 2008, 58 (233), pp. 732-40.
  Carroll, Noël, On the Aesthetic Function of Art, “Philosophical Quarterly”, O 2008, 58 (233), pp. 732-40.
  Carroll, Noël, On the Aesthetic Function of Art, “Philosophical Quarterly”, O 2008, 58 (233), pp. 732-40.
• Carroll, Noël, Philosophy in the Moving Image: Response to Bruce Russell, “Film and Philosophy”, 2008, 12, pp. 17-26.
  Carroll, Noël, Philosophy in the Moving Image: Response to Bruce Russell, “Film and Philosophy”, 2008, 12, pp. 17-26.
  Carroll, Noël, Philosophy in the Moving Image: Response to Bruce Russell, “Film and Philosophy”, 2008, 12, pp. 17-26.
• Carusi, Annamaria, Scientific Visualisations and Aesthetic Grounds for Trust, “Ethics and Information Technology”, 2008, 10 (4), pp. 243-54.
  Carusi, Annamaria, Scientific Visualisations and Aesthetic Grounds for Trust, “Ethics and Information Technology”, 2008, 10 (4), pp. 243-54.
  Carusi, Annamaria, Scientific Visualisations and Aesthetic Grounds for Trust, “Ethics and Information Technology”, 2008, 10 (4), pp. 243-54.
• Cassirer, E., Eidos und Eidolon. Das Problem des schönen und der Kunst in Platons Dialogen; Panofsky, E., Idea. Ein Beitrag zur Begriffsgeschichte der älteren Kunsttheorie, a cura di J.M. Krois, Philo Fine Arts, Hamburg, 2008, 314 pp.
  Cassirer, E., Eidos und Eidolon. Das Problem des schönen und der Kunst in Platons Dialogen; Panofsky, E., Idea. Ein Beitrag zur Begriffsgeschichte der älteren Kunsttheorie, a cura di J.M. Krois, Philo Fine Arts, Hamburg, 2008, 314 pp.
  Cassirer, E., Eidos und Eidolon. Das Problem des schönen und der Kunst in Platons Dialogen; Panofsky, E., Idea. Ein Beitrag zur Begriffsgeschichte der älteren Kunsttheorie, a cura di J.M. Krois, Philo Fine Arts, Hamburg, 2008, 314 pp.
• Castoriadis, Cornelius, L'imaginaire comme tel, Hermann éd., Paris, 2008, 162 pp.
  Castoriadis, Cornelius, L'imaginaire comme tel, Hermann éd., Paris, 2008, 162 pp.
  Castoriadis, Cornelius, L'imaginaire comme tel, Hermann éd., Paris, 2008, 162 pp.
• Castro Brunetto, Carlos Javier, Río de Janeiro, estética de una ciudad, Oristán y Gociano, Santa Cruz de Tenerife, 2008, 253 pp.
  Castro Brunetto, Carlos Javier, Río de Janeiro, estética de una ciudad, Oristán y Gociano, Santa Cruz de Tenerife, 2008, 253 pp.
  Castro Brunetto, Carlos Javier, Río de Janeiro, estética de una ciudad, Oristán y Gociano, Santa Cruz de Tenerife, 2008, 253 pp.
• Caters, Adelaïde de, Alós-Moner, Montserrat d’, El despertar de la materia: Aalto, Eisenstein y Proust, Fundación Caja de Arquitectos, Barcelona, 2008, 193 pp.
  Caters, Adelaïde de, Alós-Moner, Montserrat d’, El despertar de la materia: Aalto, Eisenstein y Proust, Fundación Caja de Arquitectos, Barcelona, 2008, 193 pp.
  Caters, Adelaïde de, Alós-Moner, Montserrat d’, El despertar de la materia: Aalto, Eisenstein y Proust, Fundación Caja de Arquitectos, Barcelona, 2008, 193 pp.
• Cattani, Francesco, Meneghelli, Donata (a cura di), La rappresentazione allo specchio. Testo letterario e testo pittorico, Meltemi, Roma, 2008, 263 pp.
  Cattani, Francesco, Meneghelli, Donata (a cura di), La rappresentazione allo specchio. Testo letterario e testo pittorico, Meltemi, Roma, 2008, 263 pp.
  Cattani, Francesco, Meneghelli, Donata (a cura di), La rappresentazione allo specchio. Testo letterario e testo pittorico, Meltemi, Roma, 2008, 263 pp.
• Catucci, Stefano, Costruire, abitare, patire, in De Capua, Alberto - Mannino, Marco - Rocca, Ettore, a cura di, Arte Scienza Tecnica del Costruire, Gangemi, Roma, 2008, pp. 25-34.
  Catucci, Stefano, Costruire, abitare, patire, in De Capua, Alberto - Mannino, Marco - Rocca, Ettore, a cura di, Arte Scienza Tecnica del Costruire, Gangemi, Roma, 2008, pp. 25-34.
  Catucci, Stefano, Costruire, abitare, patire, in De Capua, Alberto - Mannino, Marco - Rocca, Ettore, a cura di, Arte Scienza Tecnica del Costruire, Gangemi, Roma, 2008, pp. 25-34.
• Cerri, C., Interkulturelle Literatur Ein erneutes Plädoyer für eine dringende begriffliche Entscheidung, , “Weimärer Beiträge” (Wien), 54, 3 (2008), pp. 424-36.
  Cerri, C., Interkulturelle Literatur Ein erneutes Plädoyer für eine dringende begriffliche Entscheidung, , “Weimärer Beiträge” (Wien), 54, 3 (2008), pp. 424-36.
  Cerri, C., Interkulturelle Literatur Ein erneutes Plädoyer für eine dringende begriffliche Entscheidung, , “Weimärer Beiträge” (Wien), 54, 3 (2008), pp. 424-36.
• Chantaca Sanchez, Claudia Miriam, Poética de lo fantástico, Mexico, 2008, 165 pp.
  Chantaca Sanchez, Claudia Miriam, Poética de lo fantástico, Mexico, 2008, 165 pp.
  Chantaca Sanchez, Claudia Miriam, Poética de lo fantástico, Mexico, 2008, 165 pp.
• Chapaeva, Dina, Gotičeskoe obšestvo: morfologija košmara , [L’oggetto gotico: morfologia del terrore], Novoe lit. obozrenie, Moskva, 2008, 148 pp.
  Chapaeva, Dina, Gotičeskoe obšestvo: morfologija košmara , [L’oggetto gotico: morfologia del terrore], Novoe lit. obozrenie, Moskva, 2008, 148 pp.
  Chapaeva, Dina, Goticeskoe obšestvo: morfologija košmara , [L’oggetto gotico: morfologia del terrore], Novoe lit. obozrenie, Moskva, 2008, 148 pp.
• Charleson, Andrew, Seismic design for architects, outwitting the quake, Architectural, Oxford, 2008.
  Charleson, Andrew, Seismic design for architects, outwitting the quake, Architectural, Oxford, 2008.
  Charleson, Andrew, Seismic design for architects, outwitting the quake, Architectural, Oxford, 2008.
• Chateau, Domininique, Il figurale e l’allucinazione filmica, “aut aut” (Milano), n. 338 (2008), pp. 73-85.
  Chateau, Domininique, Il figurale e l’allucinazione filmica, “aut aut” (Milano), n. 338 (2008), pp. 73-85.
  Chateau, Domininique, Il figurale e l’allucinazione filmica, “aut aut” (Milano), n. 338 (2008), pp. 73-85.
• Chateau, Dominique, Qu'est-ce qu'un artiste?, Presses universitaires de Rennes, Rennes, 2008, 130 pp.
  Chateau, Dominique, Qu'est-ce qu'un artiste?, Presses universitaires de Rennes, Rennes, 2008, 130 pp.
  Chateau, Dominique, Qu'est-ce qu'un artiste?, Presses universitaires de Rennes, Rennes, 2008, 130 pp.
• Chateau, Jean-Yves, Pourquoi un septième art? Cinéma et philosophie, Presses universitaires de France, Paris, 2008, 298 pp.
  Chateau, Jean-Yves, Pourquoi un septième art? Cinéma et philosophie, Presses universitaires de France, Paris, 2008, 298 pp.
  Chateau, Jean-Yves, Pourquoi un septième art? Cinéma et philosophie, Presses universitaires de France, Paris, 2008, 298 pp.
• Chazagerov, Georgij, Ritorika , [Retorica], Feniks, Rostov-na-Donu, 2008, 379 pp.
  Chazagerov, Georgij, Ritorika , [Retorica], Feniks, Rostov-na-Donu, 2008, 379 pp.
  Chazagerov, Georgij, Ritorika , [Retorica], Feniks, Rostov-na-Donu, 2008, 379 pp.
• Cheeke, Stephen, Writing for art: the aesthetics of ekphrasis, Manchester University Press, Manchester, 2008.
  Cheeke, Stephen, Writing for art: the aesthetics of ekphrasis, Manchester University Press, Manchester, 2008.
  Cheeke, Stephen, Writing for art: the aesthetics of ekphrasis, Manchester University Press, Manchester, 2008.
• Chiarini, P., Hinderer, W. (a cura di), Schiller und die Antike, Königshausen & Neumann, Würzburg, 2008, 386 pp.
  Chiarini, P., Hinderer, W. (a cura di), Schiller und die Antike, Königshausen & Neumann, Würzburg, 2008, 386 pp.
  Chiarini, P., Hinderer, W. (a cura di), Schiller und die Antike, Königshausen & Neumann, Würzburg, 2008, 386 pp.
• Chiodo, Simona, La rappresentazione, Bruno, Mondadori, 2008, 240 pp.
  Chiodo, Simona, La rappresentazione, Bruno, Mondadori, 2008, 240 pp.
  Chiodo, Simona, La rappresentazione, Bruno, Mondadori, 2008, 240 pp.
• Chlíbec, Jan, Savonarola a Florencie: jeho působení a estetické názory, [Savonarola e Firenze: la sua azione e la sua riflessione estetica], Artefactum, Praha, 2008, 179 pp.
  Chlíbec, Jan, Savonarola a Florencie: jeho působení a estetické názory, [Savonarola e Firenze: la sua azione e la sua riflessione estetica], Artefactum, Praha, 2008, 179 pp.
  Chlíbec, Jan, Savonarola a Florencie: jeho p?sobení a estetické názory, [Savonarola e Firenze: la sua azione e la sua riflessione estetica], Artefactum, Praha, 2008, 179 pp.
• Chmielecki, Konrad, Estetyka intermedialności, [Estetica dell’intermedialità], Wydawnictwo Rabid, Kraków, 2008, 276 pp.
  Chmielecki, Konrad, Estetyka intermedialności, [Estetica dell’intermedialità], Wydawnictwo Rabid, Kraków, 2008, 276 pp.
  Chmielecki, Konrad, Estetyka intermedialno?ci, [Estetica dell’intermedialità], Wydawnictwo Rabid, Kraków, 2008, 276 pp.
• Chrétien, Jean-Louis, L'effroi du beau, les Éd. du Cerf, Paris, 2008, 93 pp.
  Chrétien, Jean-Louis, L'effroi du beau, les Éd. du Cerf, Paris, 2008, 93 pp.
  Chrétien, Jean-Louis, L'effroi du beau, les Éd. du Cerf, Paris, 2008, 93 pp.
• Chrisley, Ron, Painting an experience - Las Meninas, consciousness and the aesthetic mode, “Journal of Consciousness Studies”, XV/9 (2008), pp. 40-45.
  Chrisley, Ron, Painting an experience - Las Meninas, consciousness and the aesthetic mode, “Journal of Consciousness Studies”, XV/9 (2008), pp. 40-45.
  Chrisley, Ron, Painting an experience - Las Meninas, consciousness and the aesthetic mode, “Journal of Consciousness Studies”, XV/9 (2008), pp. 40-45.
• Clair, Jean, Autoportrait au visage absent. Ecrits sur l'art, 1981-2007, Gallimard, Paris, 2008, 463 pp.
  Clair, Jean, Autoportrait au visage absent. Ecrits sur l'art, 1981-2007, Gallimard, Paris, 2008, 463 pp.
  Clair, Jean, Autoportrait au visage absent. Ecrits sur l'art, 1981-2007, Gallimard, Paris, 2008, 463 pp.
• Clair, Jean, De Humboldt à Hubble : le cosmos et l'art moderne, l'Échoppe, Paris, 2008, 45 pp.
  Clair, Jean, De Humboldt à Hubble : le cosmos et l'art moderne, l'Échoppe, Paris, 2008, 45 pp.
  Clair, Jean, De Humboldt à Hubble : le cosmos et l'art moderne, l'Échoppe, Paris, 2008, 45 pp.
• Claviez, Thomas, Aesthetics & ethics: otherness and moral imagination from Aristotle to Levinas and from Uncle Tom’s Cabin to House Made of Dawn, Winter, Heidelberg, 2008, 466 pp.
  Claviez, Thomas, Aesthetics & ethics: otherness and moral imagination from Aristotle to Levinas and from Uncle Tom’s Cabin to House Made of Dawn, Winter, Heidelberg, 2008, 466 pp.
  Claviez, Thomas, Aesthetics & ethics: otherness and moral imagination from Aristotle to Levinas and from Uncle Tom’s Cabin to House Made of Dawn, Winter, Heidelberg, 2008, 466 pp.
• Clowney, David, A Third System of the Arts? An Exploration of Some Ideas from Larry Shiner's The Invention of Art: A Cultural History, “Contemporary Aesthetics”, 6 (2008), [http://www.contempaesthetics.org/ http://www.contempaesthetics.org]
  Clowney, David, A Third System of the Arts? An Exploration of Some Ideas from Larry Shiner's The Invention of Art: A Cultural History, “Contemporary Aesthetics”, 6 (2008), [http://www.contempaesthetics.org/ http://www.contempaesthetics.org]
  Clowney, David, A Third System of the Arts? An Exploration of Some Ideas from Larry Shiner's The Invention of Art: A Cultural History, “Contemporary Aesthetics”, 6 (2008), [http://www.contempaesthetics.org/ http://www.contempaesthetics.org]
• Clytus, G., , Shir shavur. Anmerkungen zu einem Chorwerk von Heinz Holliger, , “Musik & Aesthetik” (Horben), 46, 12 (2008), pp. 22-34.
  Clytus, G., , Shir shavur. Anmerkungen zu einem Chorwerk von Heinz Holliger, , “Musik & Aesthetik” (Horben), 46, 12 (2008), pp. 22-34.
  Clytus, G., , Shir shavur. Anmerkungen zu einem Chorwerk von Heinz Holliger, , “Musik & Aesthetik” (Horben), 46, 12 (2008), pp. 22-34.
• Coëllier, Sylvie (a cura di), Le montage dans les arts aux XXe et XXIe siècles, Publications de l'Université de Provence, Aix-en-Provence, 2008, 228 pp.
  Coëllier, Sylvie (a cura di), Le montage dans les arts aux XXe et XXIe siècles, Publications de l'Université de Provence, Aix-en-Provence, 2008, 228 pp.
  Coëllier, Sylvie (a cura di), Le montage dans les arts aux XXe et XXIe siècles, Publications de l'Université de Provence, Aix-en-Provence, 2008, 228 pp.
• Cochrane, Tom, Expression and Extended Cognition, “Journal of Aesthetics and Art Criticism”, Fall 2008, 66 (4), pp. 329-40.
  Cochrane, Tom, Expression and Extended Cognition, “Journal of Aesthetics and Art Criticism”, Fall 2008, 66 (4), pp. 329-40.
  Cochrane, Tom, Expression and Extended Cognition, “Journal of Aesthetics and Art Criticism”, Fall 2008, 66 (4), pp. 329-40.
• Cohnen, T., Fotografischer Kosmos. Der Beitrag eines Mediums zur visuellen Ordnung der Welt, transcript, Bielefeld, 2008, 207 pp.
  Cohnen, T., Fotografischer Kosmos. Der Beitrag eines Mediums zur visuellen Ordnung der Welt, transcript, Bielefeld, 2008, 207 pp.
  Cohnen, T., Fotografischer Kosmos. Der Beitrag eines Mediums zur visuellen Ordnung der Welt, transcript, Bielefeld, 2008, 207 pp.
• Cometti, Jean-Pierre, Analyse et ontologie: remarques sur l’identité des oeuvres d’art, “Rivista di estetica” (Torino), n. s., n. 38 (2008), pp. 47-54.
  Cometti, Jean-Pierre, Analyse et ontologie: remarques sur l’identité des oeuvres d’art, “Rivista di estetica” (Torino), n. s., n. 38 (2008), pp. 47-54.
  Cometti, Jean-Pierre, Analyse et ontologie: remarques sur l’identité des oeuvres d’art, “Rivista di estetica” (Torino), n. s., n. 38 (2008), pp. 47-54.
• Comfort, Kelly (a cura di), Art and life in aestheticism: de-humanizing and re-humanizing art, the artist, and the artistic receptor, Palgrave Macmillan, Basingstoke [England] - New York, 2008.
  Comfort, Kelly (a cura di), Art and life in aestheticism: de-humanizing and re-humanizing art, the artist, and the artistic receptor, Palgrave Macmillan, Basingstoke [England] - New York, 2008.
  Comfort, Kelly (a cura di), Art and life in aestheticism: de-humanizing and re-humanizing art, the artist, and the artistic receptor, Palgrave Macmillan, Basingstoke [England] - New York, 2008.
• Conget, José María, La aventura estética de los tebeos, Departamento de Publicaciones Diputación Provincial de Cuenca, Cuenca, 2008, 47 pp.
  Conget, José María, La aventura estética de los tebeos, Departamento de Publicaciones Diputación Provincial de Cuenca, Cuenca, 2008, 47 pp.
  Conget, José María, La aventura estética de los tebeos, Departamento de Publicaciones Diputación Provincial de Cuenca, Cuenca, 2008, 47 pp.
• Conn, Mark S., Rembrandt's Art: A Paradigm for Critical Thinking and Aesthetics, “Journal of Aesthetic Education”, Sum 2008, 42 (2), pp. 40-56
  Conn, Mark S., Rembrandt's Art: A Paradigm for Critical Thinking and Aesthetics, “Journal of Aesthetic Education”, Sum 2008, 42 (2), pp. 40-56
  Conn, Mark S., Rembrandt's Art: A Paradigm for Critical Thinking and Aesthetics, “Journal of Aesthetic Education”, Sum 2008, 42 (2), pp. 40-56
• Conolly, Oliver, Haydar, Bashshar, The Case Against Faction, “Philosophy and Literature”, O 2008, 32 (2), pp. 347-58.
  Conolly, Oliver, Haydar, Bashshar, The Case Against Faction, “Philosophy and Literature”, O 2008, 32 (2), pp. 347-58.
  Conolly, Oliver, Haydar, Bashshar, The Case Against Faction, “Philosophy and Literature”, O 2008, 32 (2), pp. 347-58.
• Conte, Richard, Laval-Jeantet, Marion (a cura di), Du sacré dans l'art actuel?, Klincksieck, Paris, 2008, 172 pp.
  Conte, Richard, Laval-Jeantet, Marion (a cura di), Du sacré dans l'art actuel?, Klincksieck, Paris, 2008, 172 pp.
  Conte, Richard, Laval-Jeantet, Marion (a cura di), Du sacré dans l'art actuel?, Klincksieck, Paris, 2008, 172 pp.
• Cooper, David E., Beautiful People, Beautiful Things, “British Journal of Aesthetics”, XLVIII (2008), pp. 247-260.
  Cooper, David E., Beautiful People, Beautiful Things, “British Journal of Aesthetics”, XLVIII (2008), pp. 247-260.
  Cooper, David E., Beautiful People, Beautiful Things, “British Journal of Aesthetics”, XLVIII (2008), pp. 247-260.
• Coralluzzo, Francesco, La percezione della bellezza. Dimensioni metafisiche della conoscenza estetica, Leonardo da Vinci, Santa Marinella, 2008, 125 pp.
  Coralluzzo, Francesco, La percezione della bellezza. Dimensioni metafisiche della conoscenza estetica, Leonardo da Vinci, Santa Marinella, 2008, 125 pp.
  Coralluzzo, Francesco, La percezione della bellezza. Dimensioni metafisiche della conoscenza estetica, Leonardo da Vinci, Santa Marinella, 2008, 125 pp.
• Costa, Antonio, Da “L’autre scène” a “L’acinema”: lavoro del film e teoria del cinema, “aut aut” (Milano), n. 338 (2008), pp. 6-16.
  Costa, Antonio, Da “L’autre scène” a “L’acinema”: lavoro del film e teoria del cinema, “aut aut” (Milano), n. 338 (2008), pp. 6-16.
  Costa, Antonio, Da “L’autre scène” a “L’acinema”: lavoro del film e teoria del cinema, “aut aut” (Milano), n. 338 (2008), pp. 6-16.
• Costa, Mario, Dellafotografia senza soggetto. Per una teoria dell’oggetto estetico tecnologico, Costa & Nolan, Genova, 2008, 104 pp.
  Costa, Mario, Dellafotografia senza soggetto. Per una teoria dell’oggetto estetico tecnologico, Costa & Nolan, Genova, 2008, 104 pp.
  Costa, Mario, Dellafotografia senza soggetto. Per una teoria dell’oggetto estetico tecnologico, Costa & Nolan, Genova, 2008, 104 pp.
• Costello, Diarmuid – Willsdon, Dominic (a cura di), The life and death of images: ethics and aesthetics, Tate Publishing, London, 2008.
  Costello, Diarmuid – Willsdon, Dominic (a cura di), The life and death of images: ethics and aesthetics, Tate Publishing, London, 2008.
  Costello, Diarmuid – Willsdon, Dominic (a cura di), The life and death of images: ethics and aesthetics, Tate Publishing, London, 2008.
• Costello, Diarmuid, On the Very Idea of a 'Specific' Medium: Michael Fried and Stanley Cavell on Painting and Photography As Arts, “Critical Inquiry”, Wint 2008, 34 (2), pp. 274-312.
  Costello, Diarmuid, On the Very Idea of a 'Specific' Medium: Michael Fried and Stanley Cavell on Painting and Photography As Arts, “Critical Inquiry”, Wint 2008, 34 (2), pp. 274-312.
  Costello, Diarmuid, On the Very Idea of a 'Specific' Medium: Michael Fried and Stanley Cavell on Painting and Photography As Arts, “Critical Inquiry”, Wint 2008, 34 (2), pp. 274-312.
• Cristallini, Elisabetta (a cura di), L’arte fuori dal museo. Saggi e interviste, Gangemi, Roma, 2008, 319 pp.
  Cristallini, Elisabetta (a cura di), L’arte fuori dal museo. Saggi e interviste, Gangemi, Roma, 2008, 319 pp.
  Cristallini, Elisabetta (a cura di), L’arte fuori dal museo. Saggi e interviste, Gangemi, Roma, 2008, 319 pp.
• Crowther, Paul, Ontology and Aesthetics of Digital Art, “Journal of Aesthetics and Art Criticism”, Spr 2008, 66 (2), pp. 161-70.
  Crowther, Paul, Ontology and Aesthetics of Digital Art, “Journal of Aesthetics and Art Criticism”, Spr 2008, 66 (2), pp. 161-70.
  Crowther, Paul, Ontology and Aesthetics of Digital Art, “Journal of Aesthetics and Art Criticism”, Spr 2008, 66 (2), pp. 161-70.
• Crowther, Paul, Pictorial Space and the Possibility of Art, “British Journal of Aesthetics”, XLVIII (2008), pp. 175-192.
  Crowther, Paul, Pictorial Space and the Possibility of Art, “British Journal of Aesthetics”, XLVIII (2008), pp. 175-192.
  Crowther, Paul, Pictorial Space and the Possibility of Art, “British Journal of Aesthetics”, XLVIII (2008), pp. 175-192.
• Cruz Sánchez, Pedro Alberto, Ob-Scenas: la redifinición política de la imagen, Nausícaä, Murcia, 2008, 130 pp.
  Cruz Sánchez, Pedro Alberto, Ob-Scenas: la redifinición política de la imagen, Nausícaä, Murcia, 2008, 130 pp.
  Cruz Sánchez, Pedro Alberto, Ob-Scenas: la redifinición política de la imagen, Nausícaä, Murcia, 2008, 130 pp.
• Cutrofello, Andrew, Kant's Debate with Herder about the Philosophical Significance of the Genius of Shakespeare, “Philosophy Compass”, 2008, 3 (1), pp. 66-82.
  Cutrofello, Andrew, Kant's Debate with Herder about the Philosophical Significance of the Genius of Shakespeare, “Philosophy Compass”, 2008, 3 (1), pp. 66-82.
  Cutrofello, Andrew, Kant's Debate with Herder about the Philosophical Significance of the Genius of Shakespeare, “Philosophy Compass”, 2008, 3 (1), pp. 66-82.
• Cymorek, Małgorzata (a cura di), Estetyka Afryki: antologia, [L’estetica africana: un’antologia], Towarzystwo Autorów i Wydawców Prac Naukowych Universitas, Kraków, 2008, 318 pp.
  Cymorek, Małgorzata (a cura di), Estetyka Afryki: antologia, [L’estetica africana: un’antologia], Towarzystwo Autorów i Wydawców Prac Naukowych Universitas, Kraków, 2008, 318 pp.
  Cymorek, Ma?gorzata (a cura di), Estetyka Afryki: antologia, [L’estetica africana: un’antologia], Towarzystwo Autorów i Wydawców Prac Naukowych Universitas, Kraków, 2008, 318 pp.